IKLECTIK presents,
Apologies in Advance #17
Saturday 3 September 2022 | Doors: 8pm | Fist Act: 8:30pm
Our outdoor Kiosk is open from 11am
Tickets: £9.50 Advance / £7.50 Students / £12 OTD / Low & unwaged – pay what you can but contact in advance
https://buytickets.at/iklectik/740967
Apologies in Advance (founded in 2016) is a platform for artists presenting work-in-progress performances. So far sixteen editions of the event have taken place at venues such as South London Gallery, IKLECTIK, Café OTO, V22 and most recently at De Player in Rotterdam.
Ashcircle
Feral Concrète duo Ashcircle make music to cope with the chaos of overwhelming information and Tory governments. They organise “Cliff-Edge”, a regular show of “improv for end-times” at Hundred Years Gallery in Hoxton.
https://ashcircle.bandcamp.com/
Jo Montgomerie
Montgomerie trained as a classical musician before moving into production & sound design. Between various jobs she developed a fascination with the parts that are discarded. ‘these forms of production and editing necessitate a flawlessness which also hides the process entirely; and Montgomerie began to ruminate on that which was left on the cutting room floor (or the digital version of such a space). thus, she began to take these unwanted sounds, telescoping them into sinewy drone, forcing them to collapse in a crucible of noise, and even rarifying their essence into fluid harmonic tones.’ Over the years Montgomerie realised the extent to which the pursuit of perfection kills her creativity and so she began to embrace the mistakes, imperfections and first takes as an essential part of the finished product. Previous live performances have included instruments, field recordings, pre-recorded loops and live sampling.
https://jomontgomerie.com/
Nexcyia
Nexcyia is an African-American sound artist and experimental ambient musician based between London and Paris. Working with found sound, Nexcyia weaves together harsh sound design and swooping soundscapes into works that bridge many moods, emotions and places through noise, granular synthesis, textures and rhythms.
https://nexcyia.bandcamp.com/album/it-took-a-while-for-me-to-understand
“Sound system powered by AMOENUS. AMOENUS is an art organisation that facilitates, educates, curates and promotes immersive art centred around 3D sound”.
https://amoenus.co.uk
