Film Talks Live: Jenny Baines / Amy Dickson/ Bea Haut
Thursday 30 June 2022 | 8pm [ 7:30pm doors] – Till 11:30pm!
Tickets: £7 General Admission https://buytickets.at/iklectik/635187
The second in a series of events at IKLECTIK, which are presented in association with the new publication Film Talks: 15 Conversations on Experimental Cinema, is a screening of expanded and experimental cinema from the internationally renowned artists, Jenny Baines , Amy Dickson and Bea Haut.
Amy Dickson (with Billy Steiger): Light-Time-Strung (performance, 20 mins)
Jenny Baines: Untitled (Insertional) (2014, double screen,16mm, silent, 3 mins)
Jenny Baines: Untitled (#1 25/25 x 10/4) (2016, double screen, 16mm, silent, 3 mins)
Jenny Baines: Slackline (2018, double screen, 16mm, silent, 3 mins)
Bea Haut: Drag (2017, sound, 16mm, 5 mins)
Annabel Nicolson: Frames (1973, colour, silent, 8 mins)
Bea Haut: Abject Noise (2014, 16mm, sound, 3 mins)
Bea Haut: Arm, reflexion, extension (2013, 16mm, sound, 2 mins)
Jenny Baines: Unrehearsed dance moves #1 (2022, 16mm, silent, 3 mins)
Bea Haut: Defenestration (2014, 16mm, sound, 4 mins)
Bea Haut: Kitchen Beets (2019, 16mm, sound, 1 min)
Jenny Baines: Inflated (double) struggle (2019, 16mm, silent, 3 mins)
Bea Haut: Pending (film performance with audience participation, 10 mins)
Jenny Baines practice finds its form though the relationship between her body and the mechanisms of film. She performs actions for a wind-up 16mm Bolex camera exploring the parameters of the apparatus and her own physical endurance.
Amy Dickson works with available technology, such as mobile phones, and her performances are site and time specific. These para-cinematic events consider light, duration and place, and often draw on her textile background. She also co-founded the artist collective Collective-iz.
Billy Steiger is an artist whose practice encompasses sound, performance, painting, video, print, and the borders in between.
Bea Haut’s work relates ‘everyday’ moments, spaces and actions, often in absurd and unexpected ways. She positions analogue film as a material with distinct agency and the trace and form of its processes defines her practice. She was one of the co-founders of Loophole Cinema and Analogue Recurring.
For more info and contact: https://www.contactscreenings.co.uk/