Lynch, Moore, Riley + De Saram, Beresford


IKLECTIK presents,

Tuesday 25 Sept doors 7.30pm – music 8pm | £10/7concs  Tickets on the door  only

Duo-Trio-Quintet with Mandhira De Sarah, Steve Beresford, Sue Lynch, Crystalbel Riley, N.O. Moore

MANDHIRA DE SARAM

Mandhira is a versatile violinist performing as a soloist, chamber musician and orchestral violinist in the UK and abroad.  She is a founding member and the leader of the Ligeti Quartet, a young string quartet which has established a reputation as a leading dynamic and imaginative force in contemporary and modern music. She graduated with 1st class honours from the University of Oxford achieving  a high 1st in performance and winning the Worcester College Arts Prize for the highest result in an arts subject.

International solo and chamber music tours have taken her around Europe as well as the USA, India, China and her country of origin, Sri Lanka.  She has performed at prestigious festivals and venues such as the Wigmore Hall, Barbican Centre, Southbank Centre and St Johns Smith Square in London and the Carnegie Hall in New York.

Her repertoire is varied consisting of standard classical works as well as free improvisation and original projects often involving collaborations with contemporary composers, sound artists and musicians from a variety of genres outside classical music.  With  her quartet she has worked with Wadada Leo Smith, Meilyr Jones, Shabaka Hutchings, Laura Jurd, Kerry Andrew, Sean Noonan, and, following a tour to China and Hong Kong,  has collaborated with leading Hong Kong DJ Choi Sai Ho and Japanese sound artist mamoru.

Mandhira was born in London.  After completing her primary education in Sri Lanka, she was awarded a music scholarship to North London Collegiate School where she completed her secondary education.  She was also a Leverhulme Scholar at the Junior Royal Academy of Music where she performed both as a violinist and pianist, also taking classes in composition and conducting.  Her violin teachers have included Igor Petrushevsky, Howard Davis and Levon Chilingirian.

https://mandhiradesaram.com/

STEVE BERESFORD

Steve has been a central figure in the British improvising scene for over thirty years, working with the likes of Derek Bailey, Evan Parker, Han Bennink, Christian Marclay and, of course, Alterations.

His work with Marclay has included mixed media pieces like ‘Screen Play’, ‘Ephemera’, ‘Graffiti Composition’, ‘Shuffle’, ‘Pianorama’ and ‘Everyday’. He has also written songs, scored feature films, TV shows and commercials.

Steve has worked with hundreds of people, including The Slits, Stewart Lee, Ivor Cutler, Prince Far-I, Alan Hacker, Ray Davies, Ilan Volkov, The Flying Lizards, Otomo Yoshihide, The Portsmouth Sinfonia and John Zorn.

He has an extensive discography as performer, arranger, composer and producer, and was was awarded a Paul Hamlyn award for composers in 2012.

http://www.efi.group.shef.ac.uk/mberes.html

SUE LYNCH

Sue Lynch runs ‘The Horse Improvised Music Club’ with Adam Bohman and Hutch Demouilpied.

Lynch is currently a member of David Petts-‘Remote Viewers’, with John Edwards, Mark Sanders, Caroline Kraabel , Adrian Northover and David Petts. She also performs with Adam Bohman, Eddie Prevost, Hutch Demouilpied, Richard Sanderson, Steve Noble and Sharon Gal. She has recently performed as part of Tarek Atoui’s ‘Reverse Collection’ at The Tate Modern and with Tristan Honsinger. She has also performed with the Cambodian Space Project and currently performs Psychedelic Afro Beat Sudanese band ‘The Scorpios’.

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CRYSTABEL RILEY

During late naughties Crystabel Riley toured Japan and Europe playing drums and electronics with industrial noise trio Maria and the Mirrors. She is also a pivotal member of ongoing improvisation project Debbie Leggo; collaboration with Scottish poet Gerry Mitchel and musicians such as Tom Jackson. She has played drums for Michael Rother and has performed with Daniel Thomson, Sue Lynch, Saadet Turkoz and John Edwards

N.O. Moore

NO Moore’s guitar playing mixes elements syphoned off from the short history of the electric guitar, from the Blues to Free Improvisation, combining them with a love of early electronic experimentalism, synthesis, and musique concrète.  The result is an often surprising sound world for electric guitar, encompassing both a loose respect for its traditions and a commitment to the new and its consequences.  He appears on the recent Matchless Recordings CD ‘Darkened, yet shone’, in a trio with Eddie Prévost and John Edwards.

https://breakingupintheatmosphere.bandcamp.com/