IKLECTIK presents,
Black Industrial / Noise Event 2: Dubmorphology
Wednesday 16 August 2023 | Doors: 8pm
Our Kiosk opens 1 hour before doors.
Tickets: £12 adv / £15 otd https://link.dice.fm/Ve14bd421566
This series brings together artists, musicians, and writers to think about different notions of Black Industrial/Noise. How has it been elaborated previously? What affiliations between musical forms might it suggest? What different meanings does it have for practitioners working today?
After the performance, Trevor Mathison and Gary Stewart (of Dubmorphology) will be joined in conversation by Indie A. Choudhury.
Second guest artist: Dubmorphology.
Interdisciplinary research group Dubmorphology is formed of artists Trevor Mathison and Gary Stewart. They make experimental sound and visual installations that examine the relationship between culture, history and creativity, reworking historical, political and scientific archives.
Indie A. Choudhury
Indie A. Choudhury is an art historian and curator. She holds the post for Lecturer in Modern and Contemporary Art at the Courtauld Institute of Art in the arts of global Black diasporas, Black studies, and cultural studies. Her research interests have an interdisciplinary remit specializing in the art, sonic, and literary cultures of the Black Atlantic. Her work has been supported by the Terra Foundation for American Art with the Courtauld’s Center for American Art, the Yale Centre for British Art, Stanford Research Institute of the Center for Comparative Studies in Race and Ethnicity, the Helen Frankenthaler Foundation, and the Andrew W. Mellon Foundation. She has previously held professional roles at the Institute of International Visual Arts (Iniva), the National Maritime Museum, and Tate. She has published in NKA: Journal of Contemporary African Art and Panorama: Journal of the Association of Historians of American Art. Her recent work includes a new film on Hew Locke’s The Procession (2022) for the Paul Mellon Centre for Studies in British Art and a forthcoming publication on Beauford Delaney and James Baldwin published by Duke University Press.
Curated by the Black Industrial Research Group.
Supported by Department of Art, Goldsmiths, University of London
“Sound system powered by AMOENUS. AMOENUS is an art organisation that facilitates, educates, curates and promotes immersive art centred around 3D sound”. https://amoenus.co.uk
