LUCAS / LYNCH / MOORE / PRÉVOST – MATINEE


IKLECTIK presents,

LUCAS / LYNCH / MOORE / PRÉVOST

Saturday 14 December – doors 2.30pm – start 3pm | £7 adv / £9 otd | BUY TICKETS

 

A matinee set from this new quartet featuring Eddie Prévost (drums), N.O. Moore (guitarism), Sue Lynch (tenor sax), and Edward Lucas (trombone).

Edward Lucas

London-based improvising trombone player. Co-founder (with Daniel Kordik) of the earshots recording label and concert series ( https://earshots.bandcamp.com/ | https://earshots.org/). Associations with many improvising and experimental musicians in London and beyond; member of the London Experimental Ensemble and occasionally the London Improvisers Orchestra.

 

Sue Lynch

Sue Lynch runs ‘The Horse Improvised Music Club’ with Adam Bohman and Hutch Demouilpied.

Lynch is currently a member of David Petts-‘Remote Viewers’, with John Edwards, Mark Sanders, Caroline Kraabel , Adrian Northover and David Petts. She also performs with Adam Bohman, Eddie Prevost, Hutch Demouilpied, Richard Sanderson, Steve Noble and Sharon Gal. She has recently performed as part of Tarek Atoui’s ‘Reverse Collection’ at The Tate Modern and with Tristan Honsinger. She has also performed with the Cambodian Space Project and currently performs Psychedelic Afro Beat Sudanese band ‘The Scorpios’.

 

N.O. Moore

NO Moore’s guitar playing combines elements extracted from the short history of the electric guitar, from the Blues to Free Improvisation, and combines them with a love of early electronic experimentalism, synthesis, and musique concrète.  The result is an often surprising sound world for electric guitar, encompassing both a loose respect for its traditions and an absolute commitment to the new and the consequences that follow.

 

Eddie Prévost

Eddie Prévost plays with immense fire, grace and invention. Founder of the essential AMM, collaborator of the greatest improvisers internationally, since the 60’s he has kept a continuous contact with the scene and always manages to invent anew his contribution to “meta-music”.

“Prévost’s free drumming flows superbly making use of his formidable technique. It’s as though there has never been an Elvin Jones or Max Roach.” – Melody Maker

“Relentlessly innovative yet full of swing and fire.” – Morning Star